The Dynamic Frame: Camera Movement in Classical Hollywood Main Menu

Chapter Two: Additional Clips

1 Chapter Three: Dynamism, Seriality, and Convergence Chapter on the use of the moving camera in the representation of modernity
This page includes links to 31 clips that are described, but not illustrated, in Chapter Two. For all the illustrated clips, go to Chapter Two. 

This page has paths:

  1. Chapter Two: Purposes and Parallels Patrick Keating

Contents of this path:

  1. 2.x1 Alibi
  2. 2.x2 Broadway
  3. 2.x3 Show Boat
  4. 2.x4 Queen Christina
  5. 2.x5 Broken Lullaby
  6. 2.x6 Cimarron
  7. 2.x7 Back Pay
  8. 2.x8 Mr. Deeds Goes to Town
  9. 2.x9 Applause
  10. 2.x10 City Streets
  11. 2.x11 Song of Songs
  12. 2.x12 The Merry Widow
  13. 2.x13 Morocco
  14. 2.x14 Cleopatra
  15. 2.x15 Prestige
  16. 2.x16 Prestige
  17. 2.x17 Grand Hotel
  18. 2.x18 Inspiration
  19. 2.x19 The Kennel Murder Case
  20. 2.x20 A Farewell to Arms
  21. 2.x21 The Bat Whispers
  22. 2.x22 Chandu the Magician
  23. 2.x23 Top Hat
  24. 2.x24 Marie Antoinette
  25. 2.x25 Fury
  26. 2.x26 City Girl
  27. 2.x27 Les misérables
  28. 2.x28 Jezebel
  29. 2.x29 The Murder Man
  30. 2.x30 Dance, Fools, Dance
  31. 2.x31 Front Page Woman